What can you say when there are no words?
We are all still reeling in the aftermath of the school shootings in Connecticut last Friday. I, for one, feel leveled and heartbroken. It is impossible to imagine the impact on the families who lost children, those whose children were spared but so profoundly traumatized, and the rest of us who bear witness from afar to the unthinkable.
Here, in the interest of offering at least a few words of comfort, is some guidance on how to talk to your children in the wake of this tragedy.
The Hunger Games is certainly the most frightening movie that I have ever seen … and, in a bizarre way, one of the most hopeful.
Even though it contains echoes of films such as 1984, Network and The Lord of The Flies, The Hunger Games is singularly unique in that it represents a very “right now” look at our celebrity-worshiping, violence-laden, reality-television culture, and it throws in some chilling warnings about the dangers of all-powerful government.
Having not read any of Suzanne Collins’ three books from which this film springs, my first impression upon hearing about the film’s central theme of a nationwide contest that pits 24 teenagers against each other in a fight to the death was ”Uh-oh, here we go again with the mindless violence…”
Gandhi says that an impotent man is far more dangerous than a violent man. The more that I spend time in this body and in this world, I am starting to get a sense of what he may have been saying. It takes energy to move from fear to love. It takes momentum and courage to change from selfish to selfless. A violent man can re-direct his energy, whereas an impotent man or woman has no energy to re-direct. My mom and dad always told us to mind our own business, but Gandhi says that if you see an act of violence on the street and simply walk on by, that is not non-violence, it is cowardice.
I have a message for both the mainstream film industry and its film critics: You have both lost all connection with film audiences.
Hollywood has seemingly decided that “quality” now equates with dark, violent and depressing; consequently, 2007 was one of the bleakest years ever for film distribution. To make matters worse, and to illustrate anew the fable of the emperor’s new clothes, film critics have fallen into lockstep with film distributors.