For a boy, I had been doing extraordinary things, which caused much wonder. Before I could walk, I could play on the piano, with one finger, any tunes that I heard, then, gradually, with all fingers, even the complex melodies played by blind Mr. Maynard, who, to me, was the greatest man in all the world. Mr. Maynard lived in the dark but walked and talked with God in the Light. And what the soul of Creation told his Soul, he told me – and I walked and talked with God in those early days in His wonderlands of Peat Meadow and the huge oaks down in Bachelder’s wilds where nobody went but me, for no one else in all My World heard what I heard there – nor saw what I saw there – so it was mine alone, all that glory just mine alone.
On Phil Spector (Producer): "…he buried the lead and he cannot stop himself from doing that…if you listen to his records in sequence, the lead goes further and further in and to me what he is saying is, 'It is not the song...just listen to those strings. I want more musicians, it's me."
I loved you for a long, long time I know this love is real It don't matter how it all went wrong That don't change the way I feel And I can't believe that time's Gonna heal this wound I'm speaking of There ain't no cure for love
Gabrilowitsch was a musician all the way through. It might interest you to know that when Gabrilowitsch posed for the bust I did of him, he looked no more like a musician than a colonel in the Army, or a lawyer. After half an hour of work, I said, “I want to see you as a musician. I want to see music in your eyes. I want to see the very soul of music in you because that is what you are. I do not want to do a bust of you just as an ordinary human being.” “What shall I do?” he asked. “Go to the piano and play,“ I said. “I cannot play for an audience of one. I could play for an audience of a thousand, but not for one,” he replied. “Yes, you can,” I replied, “you just play and forget me and I will take care of my part.” He played for an hour or two at a time for sixteen hours. I was then able to interpret him as a musician. I think that is one of the best things I have ever done – it portrays a man actually inspired by thinking music.
Source: The Message of the Divine Iliad (Vol. 1) (Divine Iliad)
The ankh or key of life is of a musical nature and designed to be employed along with a type of inspired (and inspiring) speech known as the Language of the Birds. This powerful combination, properly performed, keys potential DNA to build the Holy Grail or lightbody.
Source: Conscious Healing: Book One on the Regenetics Method, Pages: 131