See, they return; ah, see the tentative Movements, and the slow feet, The trouble in the pace and the uncertain Wavering! See, they return, one, and by one, With fear, as half-awakened; As if the snow should hesitate And murmur in the wind, and half turn back;
What thou lovest well remains, the rest is dross What thou lov'st well shall not be reft from thee What thou lov'st well is thy true heritage Whose world, or mine or theirs or is it of none? First came the seen, then thus the palpable Elysium, though it were in the halls of hell. What thou lovest well is thy true heritage.
Genius . . . is the capacity to see ten things where the ordinary man sees one, and where the man of talent sees two or three, plus the ability to register that multiple perception in the material of his art.
The rustling of the silk is discontinued, Dust drifts over the courtyard, There is not sound of footfall, and the leaves Scurry into heaps and lie still, And she the rejoicer of the heart is beneath them: A wet leaf that clings to the threshold.
The ant's a centaur in his dragon world. Pull down thy vanity, it is not man Made courage, or made order, or made grace, Pull down thy vanity, I say pull down. Learn of the green world what can be thy place In scaled invention or true artistry, Pull down thy vanity, Paquin pull down! The green casque has outdone your elegance.